Menila
Moineaux
Opera Director
“For Menila Moineaux, there’s more to opera than entertainment: opera can – and should – change the world …”
- Jessie Wang, CutCommon Magazine
As a creative practitioner, Moineaux doesn’t just “enjoy” opera, she believes in it as a means of communication – even as a tool – that can trigger healthy emotions and has a vast potential to alter hearts and minds.
"Moineaux’s direction cleverly does away with the opera’s Commedia dell’arte premise and draws out the work’s verismo pedigree in a modern-dress staging ... this is gripping theatre that keeps us on the edge of our pews until the final moments ..."
- Pagliacci (The Cooperative), ★★★★, Jansson J. Antmann, Limelight Magazine, 2023
"Moineaux created a production that challenged the viewer to see Nedda’s situation honestly. ... this depiction of the story was so unique and thought-provoking, and I’ll admit I was extremely pleased when Nedda was the one left standing at the end of the opera. It wasn’t a moment of frivolous girl power, but a heavy reclamation of her own life that hit home."
-Pagliacci (The Cooperative), Brianna Louwen, ClassikON, 2023
Bio
Menila Moineaux
"Unique and thought-provoking", Menila Moineaux (she/her) is an early career Burmese-Australian opera director, currently based in Germany. She was one of ten semi-finalists in the 2023 European Opera Directing Prize and is a 2022 graduate of the Verona Accademia per l’Opera Italiana, where she completed a Master in Opera Directing with results amongst the highest in her cohort, generously supported by the Rose Mandelbaum Travelling Scholarship.
In the 2023-24 season, Menila directed a "gripping" Pagliacci for The Cooperative and worked on Une folle journée: a Mozart and Da Ponte Gala for the Salzburger Festspiele (dir. Davide Livermore). For Theater Münster, where she is currently engaged as a staff director, Menila led revivals of Madrigale (dir. Tom Ryser) and Rigoletto (dir. Cordula Däuper), and assisted on premieres of MASS (dir. Tom Ryser), Der Schmied von Gent (dir. Magdalena Fuchsberger), Carmen (dir. Andrea Schwalbach), Zoroastre (dir. Georg Schütky), and Doktor Ox (dir. Anna Weber).
In the 2022-2023 season and alongside her studies, Menila worked on MASS (Bernstein) at the Teatro dell’Opera di Roma (dir. Damiano Michieletto), Pagliacci at the Macerata Opera Festival (dir. Alessandro Talevi), Simon Boccanegra at the Festival Verdi - Teatro Regio di Parma (dir. Valentina Carrasco), La traviata at Dublin’s Bord Gais Energy Theatre (dir. Danilo Coppola), Stabat Mater (Pergolesi) at the Luglio Musicale Trapanese (dir. Danilo Coppola), and Dalinda (Donizetti – world premiere) with the Berliner Operngruppe (dir. Giulia Randazzo).
Founding The Cooperative in 2019 and combining lifelong passions for opera and social justice, Menila made her directorial debut with The Consul (Menotti) in 2020. In 2021, she directed Sāvitrī (Holst), Orfeo ed Euridice (Gluck), Iphigénie en Tauride (Gluck) and Tosca at The Cooperative.
With a background in musicology and singing, and proficient in English, German, Italian, and French, Menila also holds a Bachelor of Music Studies with First Class Honours from the Sydney Conservatorium of Music, where she studied on full scholarship. She is a grateful recipient of grants from the Wagner Society of NSW and the Australia Council for the Arts.
Above all, Menila believes passionately in creating art that engages, benefits, and changes the world around us. Art is inherently political, and she invites her audiences into a space of public dreaming, from which they may re-emerge ready to confront and challenge issues in our wider society.
Portfolio
Ruggero Leoncavallo
The Cooperative
Giacomo Puccini
Giuseppe Giacosa
Luigi Illica
The Cooperative
Gustav Holst
The Cooperative
Gian Carlo Menotti
The Cooperative
Christoph Willibald Gluck
Nicolas-François Guillard
The Cooperative
Various (Gala - semi-staging)
Theater Münster
Pagliacci
Ruggero Leoncavallo
The Cooperative
August 3, 4 | 2023
Conductor: Joanna Drimatis | Toby Wong (August 4)
Director & Site-Specific Production Design: Menila Moineaux
Producer: Samanta Lestavel
Lighting: Bec Moret
Assistant Director and Stage Manager: Emma Whitehead
Photo Credit: Terence Bright and Nathaniel Kong
Heute Nacht oder nie - die große Operngala der Spielzeit
Semi-Staging
Theater Münster
August - November 2024
Conductor: Henning Ehlert
Moderation: Katharina Kost-Tolmein
Semi-Staging: Menila Moineaux
Scenic Design: Nele Schröder
Costume: Philipp Winkler
Dramaturgy: Giulia Fornasier
Light Design: Meike Parys
Photo Credit: Sandra Then
MASS
Assistant Director (training)
Leonard Bernstein
Stephen Schwartz
Director: Damiano Michieletto
Set Design: Paolo FantinCostume Design: Carla TetiLight Design: Alessandro CarlettiTeatro dell'Opera di RomaJuly 2022Photo credit: Fabrizio SansoniPagliacci
Assistant Director (training)
Ruggero Leoncavallo
Director: Alessandro Talevi
Set Design: Madeleine Boyd and Alessandro TaleviCostume Design: Anna BonomelliMacerata Opera FestivalAugust 2022Photo credit: Luna SimonciniStabat Mater
Revival Director
Giovanni Battista Pergolesi
Director: Renato Bonajuto
Set and Costume Design: Danilo Coppola
Choreography: Giuliano De Luca
Light Design: Giuseppe Saccaro
Luglio Musicale Trapanese
November - December 2022
Photo credit: Ente luglio musicale trapanese
Dalinda
Assistant Director
Gaetano Donizetti
Felice Romani
(World Premiere)
Director: Giulia Randazzo
Set Design: Giulia Bellè
Costume Design: Gaia Tagliabue
Konzerthaus Berlin
May 2023
Photo credit: Gaia Tagliabue
MASS
Assistant Director
Leonard Bernstein
Stephen Schwartz
Director: Tom Ryser
Choreography: Lillian Stillwell
Set and Costume Design: Stefan Rieckhoff
Costume Design: Louise Flanagan
Theater Münster
August 2023 - January 2024
Photo credit: Bettina Stöß
Madrigale von Krieg und Liebe
Revival Director
Claudio Monteverdi
Director: Tom Ryser
Set and Costume Design: Stefan Rieckhoff
Choreography: Annie Hanauer
Theater Münster
September - November 2023
Photo credit: Bettina Stöß
Der Schmied von Gent
Assistant Director
Franz Schreker
Director: Magdalena Fuchsberger
Set Design: Monika Biegler
Costume Design: Dorothee Curio
Video: Aron Kitzig
Light Design: Michael Heidinger
Theater Münster
October 2023 - January 2024
Photo credit: Martina Pipprich
Rigoletto
Revival Director
Giuseppe Verdi
Francesco Maria Piave
Director: Cordula Däuper
Set Design: Friedrich Eggert
Costume Design: Sophie du Vinage
Theater Münster
December 2023 - February 2024
Photo credit: Martina Pipprich
Carmen
Assistant and Revival Director
Georges Bizet
Henri Meilhac | Ludovic Halévy
Director: Andrea Schwalbach
Set Design: Anne Neuser
Video: Sven Stratmann
Costume Design: Bianca Deigner
Choreography: Rachele Pedrocchi
Theater Münster
January 2024 - April 2025
Photo credit: Martina Pipprich
Zoroastre
Assistant Director
Jean-Philippe Rameau
Louis de Cahusac
Director: Georg Schütky
Set Design: Ralf Käselau
Costume Design: Katharina Gault
Choreography:
Josep Caballero Garcia
Dramaturgy: Giulia Fornasier
Light Design: Irene Selka
Theater Münster
February 2024 - June 2024
Photo credit: Martina Pipprich
Doktor Ox
Assistant and Revival Director
Jacques Offenbach
Director: Anna Weber
Set Design: Sina Manthey
Costume Design: Hanna Rode
Dramaturgy: Giulia Fornasier
Light Design: Jan Hördemann
Theater Münster
May 2024 - December 2024
Photo credit: Martina Pipprich
Une folle journée
(A Mozart and Da Ponte Gala)
Stage Manager
Director: Davide Livermore
Set Design: Giò Forma
Video: D-Wok
Salzburger Festspiele
May 2024
Photo credit: Marco Borrelli
Königskinder
Assistant Director
Engelbert Humperdinck
Elsa Bernstein
Director: Clara Kalus
Set Design: Dieter Richter
Costume Design: Carola Volles
Dramaturgy: Giulia Fornasier
Light Design: Meike Parys
Theater Münster
October 2024 - January 2025
Photo credit: Thilo Beu
Press
"Menila Moineaux’s direction cleverly does away with the opera’s Commedia dell’arte premise and draws out the work’s verismo pedigree in a modern-dress staging ... this is gripping theatre that keeps us on the edge of our pews until the final moments ..." - Pagliacci (The Cooperative), ★★★★, Jansson J. Antmann, Limelight Magazine, 2023
"Director Menila Moineaux created a production that challenged the viewer to see Nedda’s situation honestly. ... this depiction of the story was so unique and thought-provoking, and I’ll admit I was extremely pleased when Nedda was the one left standing at the end of the opera. It wasn’t a moment of frivolous girl power, but a heavy reclamation of her own life that hit home." - Pagliacci (The Cooperative), Brianna Louwen, ClassikON, 2023
"As a creative practitioner, Moineaux doesn’t just “enjoy” opera, she believes in it as a means of communication – even as a tool – that can trigger healthy emotions and has a vast potential to alter hearts and minds." - Clive Paget, Limelight Magazine, 2021
"For Menila Moineaux, 2020 was about more than waiting patiently for the concert venues to open up again. For her, it was also a year filled with reflection. A year to cement a deeper understanding of just how fortunate we are to be the creators of music, of joy, and of change ..." - Jessie Wang, CutCommon, 2021
"What’s the point of opera? To entertain audiences? Of course, all music aims to entertain. But why? For Menila Moineaux, there’s more to opera than entertainment: opera “can – and should – change the world” - Jessie Wang, CutCommon, 2019
NEXT
1Heute Nacht oder nie - die große Operngala der Spielzeit
2Doktor Ox
3Königskinder
4La bohème
- Contact
Thank you for reaching out!
For enquiries about me and my work, please email mmoineaux@outlook.com
For enquiries about The Cooperative, please visit www.thecooperativeopera.org
Alternatively, please feel free to contact me via the form below (or come behind the scenes with me on instagram).
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